ECU Web Unit Outline
 
FACULTY OF EDUCATION & ARTS
WESTERN AUSTRALIAN ACADEMY OF PERFORMING ARTS
Full Unit Outline - Enrolment Approved Thursday, 8 July 2010
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This unit outline may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.
 
UNIT TITLE Ballet 2
UNIT CODE DAN2121
CREDIT POINTS 20
FULL YEAR UNIT Yes
PRE-REQUISITES DAN1021 - Ballet 1
MODE OF DELIVERY On-campus

DESCRIPTION

In this unit, students engage in practical technique classes in classical ballet from barre to centre practice at a more advanced level.  The study of men's classes, pointe work, pas de deux and variations are optional.  The importance of daily class is emphasised and the development of reflective practice.  Safe dance principles are promoted through an emphasis on correct alignment and increased kinaesthetic awareness.

 
LEARNING OUTCOMES

On completion of the unit students should be able to:


  1. execute each section of class work---warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down---with high levels of competency and understanding;
  2. articulate principles of alignment and functionality involved in the exercises with considerable detail;
  3. embody a developed musicality;
  4. embody an increased range of movement qualities;
  5. physically adapt to a range of techniques and teaching approaches (eg. Russian, French, Italian and English styles);
  6. demonstrate a strong sense of individuality and 'presence' (performance quality);
  7. demonstrate a refined ability to quickly absorb and execute new combinations on instruction and/or demonstration;
  8. demonstrate a high level of physical and conceptual understanding of the technical principles in classical ballet.
  9. design, set and teach classroom exercises of increasing complexity using technical terms and describing the functional and meaning-making aspects of the exercise.
  10. engage in self-assessment processes that indicate an informed level of critical analysis of the technique.
 
UNIT CONTENT
  1. Practice, at a high level of understanding, classical ballet technique: warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down.
  2. Study, through combinations of increased difficulty, the articulation and embodiment of alignment principles.
  3. Controlled balances in a wide range of positions of the technique (ouvert, croisée, a la seconde, effacé and ecarté).
  4. Practices to gain high levels of strength, flexibility, coordination and cardio-vascular endurance
  5. An advanced study of self correction in order to increase technical facility.
  6. Exploration of spatial awareness in relation to self and others at a greater depth and range.
  7. Students will continue their pointe work at the barre and in centre practice to develop increasing levels of balance, control, strength and turning capacity.
  8. Execution of enchainments, including turns, with style and confidence.
  9. In Mens Coaching classes exercises to develop stamina and basic men's pirouettes, beats and grand allegro will be taught.
  10. The development of confident partnerships with understanding of partnering holds and support and the study of safe lifting techniques.
  11. In variations students will study repertoire at a more advanced level of difficulty emphasising facility and assurance and the stylistic nuances of the work.
 
TEACHING AND LEARNING PROCESSES

Practical classes
Work with guest teachers.
Possible work with professional dance ensembles

Classroom tasks and individual assignments

 
GRADUATE ATTRIBUTES

The following graduate attributes will be developed in this unit:

  1. Professional knowledge;
  2. Enterprise, Initiative and Creativity.
 
ASSESSMENT
Grading Schema 1
 
Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.
 

Item

On-Campus Assessment

Value

 

Reflective Practice

*Reflective practice (Semester 1)

10%

Participation

Classroom Tasks (Semester 1)

5%

Practicum

Industry assessment (Semester 1)

15%

Examination

Examination (Semester 1)

20%

Reflective Practice

*Reflective practice (Semester 2)

10%

Participation

Classroom Tasks (Semester 2)

5%

Practicum

Industry assessment (Semester 2)

15%

Examination

Examination (Semester 2)

20%

 
* This is a designated unit in the Bachelor of Dance. Failure to pass this unit may result in exclusion from the course.

* School requirement is for 80% class attendance.

*This assessment is cumulative and based on student's attendance, focus, approach to learning and application of corrections throughout each semester.
 
TEXTS
nil
 
SIGNIFICANT REFERENCES
Banes, Sally. (1998). Dancing women: Female bodies on stage. London: New York: Routledge.
Bremser, M. (1993). International dictionary of ballet. Detroit: St James Press.
Grieg, Valerie. (1994). Inside ballet technique: Separating anatomical fact from fiction in the ballet class. Pennington, NJ: Princeton Book Co.
Matarasso, Francois. (1999). Magic, myths and money: The impact of English National Ballet in Manchester. Stroud, Glos: Comedia.
Reynolds, Nancy, & McCormick, Malcolm. (2003). No fixed points: Dance in the twentieth century. New Haven: Yale University Press.
Scholl, Tim. (1994). From Petipa to Balanchine: Classical revival and the modernization of ballet. London: New York: Routledge.
Schouvaloff, Alexander. (1997). The art of Ballets Russes: The Serge Lifar Collection of theater designs, costumes and paintings at the Wadsworth Atheneum, Hartford, Connecticut. New Haven: Yale University Press.
Ward-Warren, G. (1989). Classical Ballet Technique. Tampa, Florida: University of South Florida.
Ward-Warren, G. (1999.) Art of teaching classical ballet - Ten twentieth century masters. Tampa: University of South Florida.
Wiley, Roland John. (ed.). (1990). A century of Russian ballet: Documents and accounts, 1810-1910. Oxford, England: Clarendon Press: New York: Oxford University Press.
Wiley, Roland John. (1997). The life and ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake. England: Clarendon Press; New York: Oxford University Press.
 
VIDEOS
Antony Tudor (1992) [videorecording] directed by Viola Aberle and Gerd Andersson, Pennington, NJ: Dance Horizons Video
Essential ballet (c1993) [videorecording]: stars of Russian Ballet from The Royal Opera House, Covent Garden & Red Square, Moscow. Amsterdam: Phillips.
Giselle - the making of (1996) [videorecording]. New York: View Video
Jiri Kylian, choreographer (c1996) [videorecording] Longaholme, Qld: Marcom Projects [distributor]
Paris dances Diaghilev (1991) [videorecording] Hamburg: Teldec Video
Russian ballet: the glorious tradition (c1993) [videorecording] Fort Lee, NJ: Video Artists International
The Firebird & Les noces (2001) [videorecording]/ Stravinsky. London: BBC
The prince of the pagodas. Out of line (1991) [videorecording] Hamburg, Germany: Teldec Video
Three by Duato (2000) [videorecording] London: RM Associates
 
 
 
Disability Standards for Education (Commonwealth 2005)
For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes, Graduate Attributes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Student Equity, Diversity and Disability Service website:
http://intranet.ecu.edu.au/student/support/student-equity
 
 


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